India Animated Essays on Contemporary Practice | 35.92 MB
Title: India Animated Essays on Contemporary Practice
Author: Anitha Balachandran, Timothy Jones
Category: Nonfiction, Entertainment, Television, Business & Finance, Industries & Professions, Industries, Film
Language: English | 378 Pages | ISBN: 9783032111791
Description:
This book explores Indian animation, a sector in rapid transition. Major studios have built international reputations through outsourcing and co-production, while smaller studios and independent filmmakers increasingly create original content for TV, streaming platforms and festivals. Alongside these visible transformations in the industry, artisanal and ethnographic animation have also flourished. India Animated: Essays on Contemporary Practice examines key ways in which practices and preoccupations in India are shifting. Distinctive postcolonial approaches are the focus of this volume, which foregrounds the inventive animation works of filmmakers in recent decades. Substantial essays consider the conception, production and marketing of animated works, alongside a selection of interviews that provide a vivid, granular sense of creative processes. Indian animation remains largely overlooked in both public discourse and scholarly research. This volume addresses that absence by examining the region’s pluriform practices and their broader implications for animation studies.
This book explores Indian animation, a sector in rapid transition. Major studios have built international reputations through outsourcing and co-production, while smaller studios and independent filmmakers increasingly create original content for TV, streaming platforms and festivals. Alongside these visible transformations in the industry, artisanal and ethnographic animation have also flourished. India Animated: Essays on Contemporary Practice examines key ways in which practices and preoccupations in India are shifting. Distinctive postcolonial approaches are the focus of this volume, which foregrounds the inventive animation works of filmmakers in recent decades. Substantial essays consider the conception, production and marketing of animated works, alongside a selection of interviews that provide a vivid, granular sense of creative processes. Indian animation remains largely overlooked in both public discourse and scholarly research. This volume addresses that absence by examining the region’s pluriform practices and their broader implications for animation studies.
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