Macao, Macaoness, Macanese Literary Translation and Cultural Identity in Contemporary Macao | 9.64 MB
Title: Macao, Macaoness, Macanese
Author: Hania A.M. Nashef
Category: Nonfiction, Entertainment, Film, Reference & Language, Reference, Social & Cultural Studies, Social Science
Language: English | 247 Pages | ISBN: 9781040637661
Description:
Narratives of Cultural Identity in Contemporary Arab Cinema examines emerging cinema from the Gulf Cooperation Council (GCC) and recent diasporic/transnational productions from the Levant.
Although several books have been written on Arab cinema, there remains a need to consider the role of emerging film industry in the GGC countries, or states in which cinema production is relatively scant. Academic studies on cinema in the Arab world have long concerned themselves with traditional film production centers, which is understandable as for decades the Arab film industry has been dominated by Egypt. The work also reflects on national agendas, role of government initiatives, and individuals who were instrumental in fostering cinema. It glimpses into vibrant cultures that have been at the mercy of stereotypical representations and demonstrates how recent films act as counter-narratives to dominant discourse.
This book is intended primarily for scholars and researchers in Cultural, Film, Literature, and Media Studies who have a general interest in cinema from non-Western regions, with a particular focus on the Arab world. It is a valuable addition to existing scholarship through its focus on peripheral film centers, which have received limited academic attention.
Narratives of Cultural Identity in Contemporary Arab Cinema examines emerging cinema from the Gulf Cooperation Council (GCC) and recent diasporic/transnational productions from the Levant.
Although several books have been written on Arab cinema, there remains a need to consider the role of emerging film industry in the GGC countries, or states in which cinema production is relatively scant. Academic studies on cinema in the Arab world have long concerned themselves with traditional film production centers, which is understandable as for decades the Arab film industry has been dominated by Egypt. The work also reflects on national agendas, role of government initiatives, and individuals who were instrumental in fostering cinema. It glimpses into vibrant cultures that have been at the mercy of stereotypical representations and demonstrates how recent films act as counter-narratives to dominant discourse.
This book is intended primarily for scholars and researchers in Cultural, Film, Literature, and Media Studies who have a general interest in cinema from non-Western regions, with a particular focus on the Arab world. It is a valuable addition to existing scholarship through its focus on peripheral film centers, which have received limited academic attention.
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